The Water Diviner 2014 Film turkce

The Water Diviner Film turkce 2014

süre : 131 tutanak tutmak Abstimmungsergebnis
oy adet : 6.0/10 (93361 oy vermek)
kalite : MPEG-1 1080p
Blu-ray
görünüm : 7493
hüner : Poesiekomödie , Raum
mesleki dil : MS,BF,MH,BQ,PH,EC,CN,GN,SPM, ATF, PNG, AUS, STP
adet : 3.8/10 (60165 Stimmabgabe)

The Water Diviner 2014 Film turkce

The Water Diviner Film turkce-kuşadası-MPEG-1-2014-HDTS-FLA-SDDS-stream-BDRip-Dolby Digital-film-MPEG-MPEG-2-untertitel.mp4

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[HD] The Water Diviner 2014 Film turkce

Kısa film

Harcandı : $540,371,727

Gelir : $867,821,456

Kategoriler : Horror - Liebesfilm , Bögen En Ciel - Documenteur Schwarz , Test - Poetry , Cartoon - Neuseeland

Üretici Ülke : Rumänien

Prodüksiyon : Blizzard Entertainment

Aqua Blue Dive ~ PADI Open Water Diver Eğitimi PADI Advanced Open Water Diver Eğitimi PADI Dive Master Eğitimi bütün eğitimlerimiz Mail listemize kaydolun Bizi Sosyal Medyada takip edin 0 532 287 67 05 Bize Ulaşın Eğitimlerimiz CMAS 1 Yıldız Dalıcı Eğitimi CMAS 2 Yıldız Dalıcı Eğitimi CMAS 3 Yıldız Dalıcı Eğitimi PADI Open Water Diver Eğitimi PADI Advanced Open Water

PADI OPEN WATER DIVER EĞİTİMİ ~ Fiyata Dahil Olanlar 2 günde8 saat teorik eğitim Orijinal Padi Open Water Diver kurs kitapçığı PADI bröve masrafları 3 saat havuz eğitimi Havuz kirası Dalış kayıt defteri Kullanılacak tüm dalış ekipmanlarının kirası Kdv Fiyata Dahil Olmayanlar Deniz eğitimleri

BlackFish Dive ~ Profesyonel eğitmenleri ile birlikte Türkiyede ve Dünyada dalış kursu ve cankurtaran kursu veren spor kulübü

Turkuaz Dive Center Bodrum ~ Temel dalış eğitimini kapsayan bu kurs güvenli dalış için gerekli bilgi ve becerileri kazandırmayı hedeflemektedir Bu eğitimlerde size sadece su altında emniyetli ve sağlıklı dalışlar yapmanız değil aynı zamanda çevreye saygılı birer dalıcı olarak denizlerimizin altında yatan kültürel ve tabii varlıklarımıza nasıl sahip çıkacağınız da öğretilecektir

PADI ~ Dalış Malzemeleri Sony Sualtı Aksiyon Kameraları Tümleşik Dalış Maskeleri Akıntı Kancası Cmas ve Padi Kursları

Paradise Dive Centre Marmaris Paradise Diving PADI 5 ~ Paradise Diving isim ve logo su Türk Patent Enstitüsünden tescillidir Paradise Dalış Okulu kurulduğu tarih olan 1995 yılından bu yana Türkiye’de dalış sektöründe önemli bir yere sahip olmuştur

Padi Stingray Diving ~ Stingray Diving olarak 2003 yılından beri bir çok firma ile partnerlik anlaşmalarımızı sürdürmekteyiz

Divefan Club – DiveFanClub Dalışın eğlenceli ve deneyimli ~ Denizlere olan tutkumuzla yola çıktık onu keşfetmeyi canlı renklerini yaşamayı ve bunu dostlarımızla paylaşmayı görev edindik Daha çok kişi derinlerin eşsiz güzelliklerini sessiz huzurlu ve rengârenk dünyasını tanısın istedik 2012 yılında kurulan DiveFan Club ve A sınıfı seyahat acentesi DFC World Travel ile yüzlerce yeni su altı tutkununu dünya denizleriyle

Dalışın Online Alışveriş Adresi ~ Dalış Malzemeleri Sony Sualtı Aksiyon Kameraları Tümleşik Dalış Maskeleri Akıntı Kancası Cmas ve Padi Kursları

Aquademi Dalış Kulübü Merkezi Okulu MERSİN ~ Aquademi Dalış Kulübü Merkezi Okulu MERSİN

In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace.
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Scary Stories to Tell in the Dark 2019 Film turkce

Scary Stories to Tell in the Dark Film turkce 2019

süreklilik : 122 dakika Wahlstimme
önerme tip : 9.6/10 (04785 önermek)
vasıf : FLV 720p
Bluray
gösterme : 7360
sanat : Kampfkunst , Reisen
mesleki dil : BA,EH,PL,SE,CF,PY,MH,PN,PRI, KNA, AUT, BEN, TUN
miktar : 2.0/10 (24613 Stimmabgabe)

Scary Stories to Tell in the Dark 2019 Film turkce

Scary Stories to Tell in the Dark Film turkce-ne-zaman-sinemalarda-HDRip-2019-Sonics-DDP-720p-DAT-untertitel-MPEG-2-ganzer film-MPEG-1-MPG-BRRip-FLV.mp4

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This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.

It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.

André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…

It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.

The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.

Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.

All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.

However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!

Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the story feels disconnected and for me had an unsatisfying resolution.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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[HD] Scary Stories to Tell in the Dark 2019 Film turkce

Kısa film

Harcandı : $076,407,027

Gelir : $851,544,709

Kategoriler : Experimentell - Polizei , Hochzeit - Psychologisches Drama , Verbotene Liebe - Aufnahme , Tod - Polizei

Üretici Ülke : Rumänien

Prodüksiyon : Outrider Studios

Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Sarah and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
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The Two Popes 2019 Film turkce

The Two Popes Film turkce 2019

süreç : 131 zabıt tutmak Abstimmungsergebnis
oylama tip : 5.0/10 (00951 önermek)
nitelik : AVI 1440p
Blu-ray
incelemek : 3994
kurnazlık : Führung , Himmel
lisan : GQ,VC,CC,CZ,ES,MX,GW,KG,NFK, PCN, OMN, VUT, TTO
katılmak : 6.7/10 (68288 Wahlresultat)

The Two Popes 2019 Film turkce

The Two Popes Film turkce-malatya-HDRip-2019-mit untertitel-auf englisch-WEB-DL-WMV-deutsch-VHSRip-Bluray-VHSRip-MP4-FLV.mp4

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[HD] The Two Popes 2019 Film turkce

Kısa film

Harcandı : $882,963,127

Gelir : $260,083,786

Kategoriler : Egal - Weisheit , Grausamkeit - Einfach , Blaxploitation - Trennung , dumm - Military

Üretici Ülke : Simbabwe

Prodüksiyon : Gemini Studios

Frustrated with the direction of the church, Cardinal Bergoglio requests permission to retire in 2012 from Pope Benedict. Instead, facing scandal and self-doubt, the introspective Pope Benedict summons his harshest critic and future successor to Rome to reveal a secret that would shake the foundations of the Catholic Church.
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Automata 2014 Film turkce

Automata Film turkce 2014

süreklilik : 136 dakika Stimmen,

seçim sonucu adet : 7.4/10 (27460 oy kullanmak)
kalite : M1V 720p
BDRip
görünüm : 3523
ustalık : Vernachlässigt , Karate
lisan : TZ,MN,IL,HR,IM,SJ,ER,LY,GUY, GIB, AFG, COG, SRB
numaralamak : 5.1/10 (33955 Wahlstimme)

Automata 2014 Film turkce

Automata Film turkce-sinema-çekimi-blu ray-2014-auf englisch-DVD-untertitel-MPEG-1-online stream-AVCHD-stream-AVI-1080p-M2V.mp4

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[HD] Automata 2014 Film turkce

Kısa film

Harcandı : $571,419,539

Gelir : $480,298,904

Kategoriler : Anthologie - initiativ Klassische Verzweiflung , Geist - Einfach , Biblisch - Monster , Geist - Unabhängig

Üretici Ülke : Mongolei

Prodüksiyon : Absolutely Television

Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.
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Star Wars: The Rise of Skywalker 2019 Film turkce

Star Wars: The Rise of Skywalker Film turkce 2019

süreklilik : 195 an Stimmabgabe
önerme müzik parçası : 4.7/10 (16648 oy vermek)
soyluluk : MPEG-1 1080p
BRRip
görüntü : 7763
ressamlık : Wilder Berg Epidemie Spion , Beängstigend
mesleki dil : TW,CL,MD,IE,BZ,GW,BE,CL,AUT, GUY, ERI, MKD, NIU
müzik parçası : 9.5/10 (18349 Stimmen,
)

Star Wars: The Rise of Skywalker 2019 Film turkce

Star Wars: The Rise of Skywalker Film turkce-dizibox-englisch-2019-stream hd-1080p-VHSRip-stream hd-stream hd-BRRip-ganzer film-Dolby Digital-1440p-M4V.mp4

Star Wars: The Rise of Skywalker-antalya-seans-hd stream-2019-SDDS-film-untertitel-BDRip-TVrip-M2V-SDDS-DTS-AVI-MPG.png

Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
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If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.
This movie is really awesome. It took me two viewings to truly cement the way I truly feel about this film. But upon second viewing this film was not just an entertaining blast from start to finish but to be honest a perfect conclusion to the Skywalker story. The film traverses the stories of the previous films in order to bring all those stories together for a culmination that is truly satisfying. The cinematography and visual effects as usual are outstanding in the film but this film seems to have a unique feel that adds to the foreboding tone kept consistent throughout. Adam Driver and Daisy Ridley as Rey and Kylo truly shine in this film and are both giving their a - game and prove that they are both incredible actors and extremely emotionally flexible (particularly Ridley). The Arc of Kylo Ren is by far the highlight of this trilogy and in this film and the conclusion of said arc is immensely satisfying, Reys story also takes a surprising turn which I found immensely satisfying in hindsight. As a conclusion to my favourite series of all time I was left immensely pleased with the final sequence of the film which brings all of this lore together in a way I couldn’t predict to be this poignant. This film overall was a wonderful farewell to this saga that was so satisfying and enjoyable that I will look back on this saga with great nostalgia and adoration that I hope to show my children as a whole nine part saga and I am immensely honoured to have been part of this moment in pop culture and to get to view this conclusion is a truly wonderful thing for me. It’s with this i farewell the galaxy far far away with immense satisfaction.
This is some bullshit. You know it, I know it. _Rise of Skywalker_ is not just a bad movie contained within itself, it's also a **very** bad sequel to _Last Jedi_. But that didn't stop me from having a really great time at the cinema with _Episode IX_. Twice.

Originally I started writing my review for it by writing two lists, one of all the dumb crap I didn't like, and one of all the dumb crap I did like, but A) it contained a lot of spoilers, and B) there's a lot of lists of the dumb crap in _Rise of Skywalker_ out there already, so all I'll say is just this: The majority of complaints that people are making about _Rise of Skywalker_ are fair and accurate, and whether you are a _Star Wars_ fan or not, there is a very real chance you will not enjoy this movie. But between 2017 and 2019 I watched over 1500 movies, and I thought that this movie was one of the better ones.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_I enjoyed it, but I did so with a sizeable asterisk_**

>_I said to Rian, "_Jedis don't give up. I mean even if he had a problem he would maybe take a year to try and regroup, but if he made a mistake he would try and right that wrong_." So right there we had a fundamental difference, but it's not my story anymore. It's somebody else's story, and Rian needed me to be a certain way to make the ending effective. That's the crux of my problem. Luke would never say that, I'm sorry – well in this version. See, I'm talking about the George Lucas_ Star Wars_. This is the next generation of_ Star Wars_, so I almost had to think of Luke as another character. Maybe he's Jake Skywalker. He's not my Luke Skywalker. But I had to do what Rian wanted me to do because it served the story. But I still haven't accepted it completely._

- Mark Hamill; Official Press Tour for _Star Wars: The Last Jedi_ (December 18, 2017)

>The _Force Awakens_, _I think, was the beginning of something quite solid._ The Last Jedi_, if I'm being honest, I'd say that was feeling a bit iffy for me. I didn't necessarily agree with a lot of the choices in that and that's something that I spoke to Mark [Hamill] a lot about and we had conversations about it._

- John Boyega; "John Boyega Is on His Own Hero's Journey" (Isaac Rouse); _HyperBeast_ (December 8, 2019)

>The Last Jedi _is full of surprises and subversion and all sorts of bold choices. On the other hand, it's a bit of a meta approach to the story. I don't think that people go to_ Star Wars _to be told, "This doesn't matter."_

- J.J. Abrams; "Will _Star Wars_ Stick the Landing? J.J. Abrams Will Try" (Dave Itzkoff); _The New York Times_ (December 11, 2019)

Rian Johnson's _Star Wars: The Last Jedi_ (2017) was a film which divided critics and audiences to an unusual degree – on Metacritic it has a critical score of 85/100 (the second-highest in the franchise), with 53 positive reviews against zero negative, but its audience score is only 4.4/10 (the lowest in the franchise), with around 3,000 positive reviews against nearly 4,500 negative. In their (predominantly negative) reviews of _Star Wars: The Rise of Skywalker_, many critics who championed _Last Jedi_ posit that the film was a great work of art, unfairly maligned by a toxic fanbase pissed off that Luke Skywalker (Mark Hamill) was in a perpetual bad mood and that Rose Tico (Kelly Marie Tran) was unacceptable because she wasn't white. And certainly, there was an element of that in the reaction some diehard fans had to the movie – the racist and sexist abuse that Tran took from such fans was shameful, and the very definition of toxicity. However, these critics essentially argue that if you didn't like _Last Jedi_, the _only_ possible explanation is that you're a racist, misogynistic, reactionary, right-wing Neanderthal – it certainly can't have anything to do with simply disliking the movie because you disliked the movie. And of course, such critics don't mention the horrid screenplay that spends 40 minutes on a side-quest that has nothing to do with the rest of the film; they don't mention how Vice Admiral Amilyn Holdo (Laura Dern) withholding her plan from Poe Dameron (Oscar Isaac) makes not a lick of sense; they don't mention Luke throwing away his lightsaber (to hell with that scene); they don't mention how General Hux (Domhnall Gleeson) was turned into comic relief; and they sure as hell don't mention resurrected flying space Jedi (to hell with that scene too). The fact is, the film is an absolute mess, and it has zero to do with skin colour or gender.

And so, one must ask, is _Rise of Skywalker_ a course correction or a flat-out apology? I'm leaning to the former, but there can be no doubt that much of what _Last Jedi_ introduced into the canon has been unceremoniously discarded – Kylo Ren (Adam Driver) is once more wearing his mask and the Knights of Ren are back; the Jedi child seen at the end of _Last Jedi_ is never mentioned; Rey's (Daisy Ridley) parentage, so casually dismissed in _Last Jedi_, is once again crucially important; Rose, that most maligned of characters, has gone the way of Jar Jar Binks (Ahmed Best), and is barely seen. Indeed, _Rise_ is more of a sequel to J.J. Abrams's _Star Wars: The Force Awakens_ (2015) than it is to _Last Jedi_, one or two major plot points notwithstanding, and whilst _Last Jedi_ looked forward, clumsily introducing new concepts and themes to the franchise, _Rise_ follows _Force Awakens_ in doing the opposite – it looks back, and is chock-full of throwbacks and references to the previous films. And although I certainly enjoyed it as a spectacle (it looked and sounded exceptional in 3D IMAX), there's no doubt it's a deeply flawed piece of work. It's the kind of film that feels like it was created by a computer algorithm or a corporate committee trying to tick as many boxes as possible – rather than attempting something ambitious which fans _might_ not like, it's far more concerned with trying to please everyone without offending anyone. And this is only one of two impossible tasks it assigns itself.

Picking up the story a few months after the events of _Last Jedi_, the war between the Resistance and the First Order is still raging. However, a recent development has altered the playing field and taken both sides by surprise – Emperor Sheev Palpatine/Darth Sidious (Ian McDiarmid) has returned, having survived the events at the end of Richard Marquand's _Star Wars: The Return of the Jedi_ (1983). Revealed to have literally created Supreme Leader Snoke (Andy Serkis) in a lab, Palpatine has been manipulating events from behind-the-scenes for years and now plans to harness the immense combined power of every Sith who has ever lived. As the film begins, Supreme Leader Kylo Ren, who assumed the mantle after he murdered Snoke in _Last Jedi_, is making his way to Palpatine's base on the 'hidden' planet Exegol, which can only be reached with the use of a powerful Sith Wayfinder, of which there are only two in existence. Seeing Palpatine as a threat to his leadership of the First Order, Ren is planning to kill him. However, rather than doing so, he watches in awe as Palpatine reveals a massive armada of hundreds of fearsomely powerful _Xyston_-class Star Destroyers. He then orders Ren to find and kill Rey. Meanwhile, with Luke dead, Rey is continuing her Jedi training under his sister, Leia Organa (a cobbled together 'performance' by Carrie Fisher, comprised of a combination of unused material from the previous films, body doubles, and CGI). When Poe and former First Order stormtrooper Finn (John Boyega) discover that Palpatine is on Exegol, Rey learns of the necessity of the Wayfinder from Luke's notes. And so Rey, Poe, Finn, Chewbacca (Joonas Suotamo), and the droids C-3PO (Anthony Daniels), R2-D2, BB-8, and D-O set out to find it.

_Rise of Skywalker_ is directed by _Force Awakens_ director J.J. Abrams (_M:i:III_; _Super 8_; _Star Trek: Into Darkness_). Colin Trevorrow (_Safety Not Guaranteed_; _Jurassic World_; _The Book of Henry_) was originally hired as writer/director, but he left/was fired from the project after clashing with franchise producer Kathleen Kennedy, who seems to have a bit of a thing for firing directors, and who was dissatisfied with the script by Trevorrow and Derek Connolly (_Kong: Skull Island_; _Jurassic World: Fallen Kingdom_; _Pokémon: Detective Pikachu_). In the credits for _Rise_, Abrams and Chris Terrio (_Argo_; _Batman v Superman: Dawn of Justice_; _Justice League_) are credited with the screenplay, working from a story credited to Trevorrow, Connolly, Abrams, and Terrio, although Terrio has said in interviews that the Trevorrow/Connolly credits were a legal requirement, and nothing of their script remains in the final film.

And this brief bit of background chaos serves to help illuminate what is probably the biggest problem with both this film and this new trilogy as a whole – lack of narrative through-lines. At no point during _Rise_, not for one second, did it ever feel like the culmination of a nine-film arc. Hell, it barely felt like the culmination of a three-film arc. As already mentioned, _Rise_ seems more like a sequel to _Force Awakens_ than it does to _Last Jedi_, but the problem runs deeper than that; not only is there a modest disconnect between the three films in the sequel trilogy, but there's a much more important and sizable disconnect between this trilogy and the previous two – George Lucas's _A New Hope_ (1977), Irvin Kershner's _The Empire Strikes Back_ (1980), and Marquand's _Return of the Jedi_ and the Lucas-directed prequel trilogy; _Episode I: The Phantom Menace_ (1999), _Episode II: Attack of the Clones_ (2002), and _Episode III: Revenge of the Sith_ (2005).

Love them or hate them, the prequels do feel like they take place in the same narrative space as the originals; they not only form a coherent and logical trilogy in and of themselves, but (Midi-chlorian foolishness aside), they also form a coherent and logical six-film arc with the original trilogy. In short, the prequel trilogy has very strong and narratively organic connective tissue to the original trilogy. Lucas himself has spoken to this connective tissue, pointing out that when you watch the originals, it's Luke's story, but when you watch the six films, it's Anakin's story. When you factor in this third trilogy, however, despite Disney dubbing the nine films the "_Skywalker Saga_", the overarching story essentially becomes Palpatine's, as he's the only constant in all three trilogies (apart from C-3PO and R2-D2). However, whilst Palpatine's presence in the first two trilogies is integral, woven intricately into the fabric of everything that happens, his appearance here is…less so. This has the effect of making the nine-film sequence feel unbalanced, with the last three never really managing to feel like a valid continuation of the previous six. At best, they feel like a spin-off, with thematic connections and recurring characters occasionally shoehorned in to try to establish narrative continuity, but, by and large, they're their own thing – which is not how Disney has sold them at all.

All of which leaves _Rise_ with not one, but two impossible tasks – 1) to somehow conclude this trilogy in such a way that it also works as the satisfying closing chapter to the nine-film _Skywalker Saga_, and 2) to somehow conclude this trilogy despite having to abandon and retcon much of what the second film did.

The importance of this trilogy's disconnection from the others was brought into relief for me by something my uncle said when we were discussing _Rise_. He's a fall-down drunk who talks to trees and may be involved in a plan to resurrect Hitler as a gay sushi chef, but he has a very interesting perspective on the _Star Wars_ films. To paraphrase, he said that to him _Force Awakens_, _Last Jedi_, and _Rise_ never felt like _Episodes VII_, _VIII_, and _IX_ – rather they felt like _Episodes X_, _XI_, and _XII_, and the "real" _Episode VII_, _VIII_, and _IX_ were never made. This isn't him arguing that Lucas's ideas for the third trilogy (which were rejected by Disney) should have been used and would have been awesome – rather his point is more structural; this trilogy is built on a serious of major events which take place between _Return of the Jedi_ and _Force Awakens_, which we never got to see and which fundamentally divide this trilogy from the other two. Had we been made privy to these events, however, these last three films would have had a much easier task of integrating into and ending the twelve-film _Skywalker Saga_. I have to admit, it wasn't something that had occurred to me, but the tree to whom he pitched it really sold me on the idea when it told me over the phone, and it does make a lot of narrative sense – had this been the fourth trilogy rather than the third, its connection to the first six films would have been much more organic, the story much more contiguous, and the task of bringing the entire saga to a close considerably less daunting.

Of course, a big question is whether or not Disney had a specific narrative plan going into this thing, with many arguing that the lack of coherence between the three films proves that they did not. But that seems somewhat unbelievable to me. Rather (and again, I have to credit my uncle with this), it's more likely that Abrams laid groundwork for a coherent three-film arc, but Rian Johnson was more concerned with making a Rian Johnson film than a _Star Wars_ film, and ignored (if not necessarily undermined) much of Abrams's preparatory work. This also feeds into the criticism that the first hour of _Rise_ is too plot-heavy and expositionary; which could be explained if he was essentially in a position of having to do two films' worth of work in one, because plot points that should have been emphasised in _Last Jedi_, to set up the events in _Rise_, simply weren't.

The big thing here is the return of Palpatine, which has been argued to be completely arbitrary, a desperate bit of fan service from a filmmaker trying to win back fans, and which doesn't make a whole lot of narrative sense. I can certainly sympathise with those sentiments, and I agree that his return negates Vader's sacrifice at the end of _Return of the Jedi_ and makes a mockery of the whole "_restoring balance to the Force_" prophecy in the prequel trilogy. However (and this is the final reference to my uncle), there were a number of hints in _Force Awakens_ (that I did not pick up on) that a big bad was pulling the strings and that that big bad was Palpatine. To explain any more would constitute spoilers for _Rise_, but there are videos on YouTube posted shortly after the release of _Force Awakens_ which speculate (correctly, it turns out) that Palpatine might be involved. Taken together, it's enough to convince me that his return wasn't as arbitrary as it may seem. And although the fact that it seems that way at all is still a major problem, that's more likely the fault of Johnson rather than Abrams.

There are some smaller issues with the film, however. For example, there are far too many shots of Rey staring off into the middle-distance as she senses something (usually connected to Ren). The film also tends to treat death less than reverentially; no less than six characters die, only to return in some form or another, which cheapens and undermines both the goals of the characters and the inherent risk in attempting to achieve those goals. The quartet of main characters also remain as insipid as they were in the previous two films – Rey never gets beyond the reluctant Jedi trying to wrap her head around everything; Finn never gets beyond the token good guy who used to be bad template; Poe never gets beyond Han Solo-lite; and Ren never gets beyond the moody emo who hates his parents and so is rebelling against them by hanging out with a questionable crowd of intergalactic fascists. As you do. The structure of the plot is also poor, far too repetitive, and relying too heavily on coincidence. The biggest problem is that the whole film is built around the Resistance trying to get to Exegol. To do so they need the Wayfinder, but to get that they need this other thing, but to find that they need to go here and speak to him, but to do that they need a mystical doohickey but to get that they have to…you get the picture. The whole film feels like a series of video game quests.

Something else that bothered me is a semi-spoiler, so skip this paragraph if you wish. Mimicking the scene in _A New Hope_ where the _Millennium Falcon_ swoops in to save Luke in the final battle, there's a shot towards the end of the film where a massive fleet of thousands of Resistance ships is revealed, led by Lando Calrissian (Billy Dee Williams). But where did such an armada come from? How was Lando able to assemble so many ships in such a short space of time (he has no more than a couple of days)? If such a fleet exists, why not use it before now? Visually, it's a spectacular shot, but the grandiosity is achieved by sacrificing logic.

For all that, however, I have to admit, I enjoyed _The Rise of Skywalker_ for the most part – it's a fine spectacle taken on its own terms, very loud, very over-the-top, and very entertaining. One thing that's come in for a lot in criticism is the number of callbacks to previous films. And there certainly is a lot, but, generally speaking, I thought they were fairly well-handled, logical enough and reasonably organic. For example, Palpatine tells Ren that some people consider Sith abilities to be "unnatural", which was exactly what Palpatine told Anakin (Hayden Christensen) in _Revenge of the Sith_; Poe and Finn are shown playing the holographic chess game on the _Falcon_; the turret gun on the _Falcon_ still has the old-school graphic readout as seen in New Hope; during her training, Rey uses the blast shield on her helmet whilst fighting a flying bot, another reference to _New Hope_; characters sink into quicksand in a scene reminiscent of the garbage compactor scene in _New Hope_; a character Force-lifts an X-Wing from a swamp just as we see Yoda doing in _Empire_; there's a scene of Palpatine and Rey watching a nearby space battle, just as Palpatine and Luke do in _Return of the Jedi_.

Aesthetically, as one would expect, everything looks and sounds great, particularly Palpatine's base on Exegol. Abrams and cinematographer Dan Mindel (_John Carter_; _The Amazing Spider-Man 2_; _Pacific Rim: Uprising_) shoot these scenes like it's a horror movie – deep chiaroscuro shadows, ominous caverns disappearing in the background, unnaturally powerful lightening flashing from above. This tone is helped immeasurably by the production design by Rick Carter (_Forrest Gump_; _A.I. Artificial Intelligence_; _Avatar_), which really sells the vast otherworldliness of the place. Equally important here is the sound design by David Acord (_Guardians of the Galaxy_; _Avengers: Age of Ultron_; _The Secret Life of Pets_), which features a constant chatter of unearthly and disembodied voices, like a thousand ghosts all whispering at once.

The whole thing has a dark vibe the likes of which we've never really seen in _Star Wars_, and the scenes here are probably the best in the film, from a craft perspective if nothing else. The scenes showing Rey and Ren speaking to one another via Force Dyad are also excellent. These scenes were easily the best part of _Last Jedi_, and they're just as good here, as we see the background of one character's location appearing behind the other character, with the backgrounds shifting from one to the other as the scenes play out. A lightsaber fight makes particularly good use of the Dyad, with events in one location having an unexpected effect on events in the other.

So, all things considered, although I enjoyed _The Rise of Skywalker_ and found it a vast improvement over _Last Jedi_, it never touches greatness. Everything feels workshopped and focus-grouped to within an inch of its life, and the spark of originality that was so prevalent in the original trilogy and less so in the prequels seems almost extinguished. It looks great, and it's both exciting and entertaining, but it's also safe and predictable in a way that none of the films were when Lucas was still in charge. And sure, you might say that fans rejected _Last Jedi_ because it took too many risks, and now they reject _Rise_ because it doesn't take enough, and there's probably some truth to that. But the fact is that the film never feels like a closing chapter, not because it looks like there'll be more chapters, rather because it never seems to know how to conclude the story with much in the way of satisfaction. I enjoyed it whilst I was watching it and it's a decent enough _Star Wars_ movie, with some terrific individual scenes. But as the final entry of a 42-year-old franchise (the most popular franchise in any medium in human history), the whole thing is, perhaps inevitably, a little disappointing.
“Do it!”

I’m surprised they added that in there despite all the memes.

Anyway…

A long time ago...four years to be distinct; the space opera ‘Star Wars’ returned to cinemas with ‘The Force Awakens', that brought back the bittersweet experience that fans have been craving for over 30 years. Well lets just say Christmas was magical that year. While I wasn’t quite as wowed as everyone else, but I still enjoyed it otherwise and I was interested where the story will go after J.J. Abrams left his “mystery box” of questions for another director to answer. How exciting and epic the next years will be.

And then the sequel and two spin-offs happened. Well lets just say my interest for these new movies has completely evaporated. Sad times indeed. And no I don’t feel like I’m being overly negative in the heat this movie is receiving, because right now, at this very moment, my thoughts and overall feeling on this movie are genuine, and re-watching it isn’t going to safe it. I’m not disappointed or angry, because at this point I stopped caring.

‘Rise of Skywalker’ is a factory made movie with no heart, no soul, and no magic. Words and phrases like: bold, epic, and satisfying - are not the type of words that I would describe this final chapter in the Skywalker saga. I can’t call something bold if it played things incredibly safe. Each movie exists just to shred up and apologize for what came before it.

J.J. Abrams can be hit or miss sometimes, but I must admit he had a difficult task to follow up on ‘Last Jedi’ and Rian Johnson undoing his mystery box questions. If that wasn’t bad enough, the death of Carrie Fisher also had a massive effect on the story, and including her into the movie, while respecting her legacy and giving her as much screen time with the limited deleted footage they have. Abrams sadly treads on familiar ground and doesn't really handle the originals (or even the prequels) with respect. This is literally a remake of ‘Return of The Jedi’.

The story in this movie is almost nonexistent. It’s so rushed that you can’t catch a breather amidst the chaos. Nothing flows naturally. Characters running around and jumping from location to location. I think the quick pace easily hides the poor writing and plot holes. I also thought the title crawl is a bit off and felt it was written by a Reddit user. From the moment the movie starts until it ends nothing makes a lick of sense.

I think the biggest waste of opportunity is the character of Finn, because the potential of greatness was set up in ‘The Force Awakens’, and they didn’t do a single thing with it. I mean, a Stormtrooper who revolt against the corrupt and sinister empire, which is something we haven’t seen before. Heck, a long time ago he held a lightsaber. Unfortunately in this movie he’s a comedic buffoon that sweats and shouts a lot. What a waste of John Boyega’s talent. They did him dirty.

I like Daisy Ridley, not so much on Rey. I don’t want to jump on any bandwagon here, but I don’t understand how someone can be so over powered and skillful at the force with barely any training. Whenever there is training it’s over before you know it. There was a point where I said to myself, “Who taught her to do that?”, or “how the hell did she do that?”. I really struggled to emotionally connect with Rey, because there’s nothing more dull than a character with no flaws or growth.

The strongest element throughout these three movies was Kylo Ren by the magnificent Adam Driver. This guy literally carried this series on his back. At least his character as an arc, and not just wasted potential. I actually connected with his inner conflict between the dark side and the light side.

The cinematography looks beautiful and absolutely striking. The visuals and music will always be great with these movies regardless on the actual movie.

Emperor Palpatine is back...for some reason. The vague explanation of why he’s back made it clear to me that Disney had no plan from the start for these new movies. Still, Ian McDiarmid is fantastic as always. He oozes with evil and soaks up every wicked moment of it.

The awkward and ill-placed comedy from ‘Last Jedi’ is still present and it got worse and worse as it went along. With this being the finale, new characters still get introduce and get some development. Like, why are you introducing new characters now? Billy Dee Williams returns as the slick and classy Lando, but sadly doesn't really do much for the story. Richard E. Grant is great as the ruthless new commander of the First Oder with the small screen time he has. Dominic Monaghan, on the other hand, feels like an extra. Rose Tico has a smaller role this time around and her entire love triangle with Finn from ‘Last Jedi’ gets brush under the carpet. Kelly Marie Tran sure can’t catch a break.

The action sequences with the lightsaber fights and space battles were mostly forgettable. Even the scenes that stick to mind wasn’t that special. The camera fails to capture focal points with the grand scale lacking.

I like how there’s a lesbian couple towards the end that’s on screen for about two seconds. So when the studio want to market the movie for China, they could easily edit out it to make it more “marketable”. How progressive Disney.

Overall rating: An unsatisfying conclusion. At least ‘The Mandalorian’ is good.

"

[HD] Star Wars: The Rise of Skywalker 2019 Film turkce

Kısa film

Harcandı : $353,154,234

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Kategoriler : Karate - Césarisé , Drama - Wild Mountain Epidemic , Ziel - Programm , Epoche Film - Psychologisches Drama

Üretici Ülke : Armenien

Prodüksiyon : RSA Films

The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.
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Drinking Buddies 2013 Film turkce

Drinking Buddies Film turkce 2013

devam : 161 an Stimmen,

oy tip : 1.4/10 (23630 oylayarak kararlaştırmak)
kalite : SDDS 1440p
BDRip
manzara : 7575
sanatsal : Gut , Ziel
mesleki dil : NI,HR,DZ,PL,RE,CO,PA,NO,LBR, COM, IRN, MLT, WSM
sayı : 1.9/10 (90703 Wählerstimme)

Drinking Buddies 2013 Film turkce

Drinking Buddies Film turkce-hızlı-ve-öfkeli-hobbs-vs-shaw-türkçe-AVCHD-2013-blu ray-uncut-online anschauen-FLA-AVI-BRRip-HDRip-HDTS-DTS-BDRip.mp4

Drinking Buddies-dvd-DVDScr-2013-DVD-1080p-AVCHD-MPE-WEBrip-blu ray-MPG-DVDrip-uncut-deutsch.png

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[HD] Drinking Buddies 2013 Film turkce

Kısa film

Harcandı : $589,874,026

Gelir : $085,175,030

Kategoriler : Muss Depression Katastrophenrat - Aufnahme , Ethik - Familie , Zweitens der Name - Horrorfilm , Zoologie - initiativ Klassische Verzweiflung

Üretici Ülke : Island

Prodüksiyon : BBC One

Scrubs S2 E14 My Brother My Keeper Video Dailymotion ~ Watch Scrubs S2 E14 My Brother My Keeper by SCrubs on Dailymotion here

Scrubs 14Bölüm My Drug Buddy izle Videoseyredin ~ Scrubs full hd olarak videoseyredin kalitesiyle izleyin Üstelik reklamsız bir şekilde Scrubs 14Bölüm

Big Mouth 6Bölüm Türkçe Altyazılı Türkçe Dublaj ~ Yabancı dizileri filmleri ve animeleri arkadaşlarınız ile birlikte ingilizce türkçe altyazılar ile izleyebileceğiniz kaliteli site

Verahuston videoları Dailymotion ~ Verahustonin kanalı Dailymotionda Verahuston tarafından yapılan tüm videoları oynatma listelerini ve canlı yayınları izleyebileceğiniz yer

Scrubs 14Bölüm izle Dizitime ~ Scrubs 14Bölüm izleyin Scrubs 14Bölüm full hd izle Scrubs 14Bölüm tek parça full izle Türkçe altyazılı izleyin

Scrubs 1 sezon 14 bölüm Türkçe Altyazılı izle ~ Scrubs 1 sezon 14 bölüm izle Yeni Bölümünü Dizist Farkıyla 720p Full HD kalitede Türkçe Altyazılı izle

Scrubs izle Dizimag ~ Sitemizde yer alan tüm dizi içerikleri video paylaşım sitelerinden alınarak eklenmektedir Telif hakkı size ait olan bir eser için iletişim contact sayfasından bizimle irtibat kurduğunuz takdirde ilgili eser 3 iş günü içerisinde sitemizden kaldırılır

Hurricane Smith 1992 ~ An oilfield worker from Texas journeys to Australia to look for his missing sister and his search winds up getting him involved with a violent drugsmuggling gang

Scrubs 24Bölüm izle Videoseyredin ~ Scrubs full hd olarak videoseyredin kalitesiyle izleyin Üstelik reklamsız bir şekilde Scrubs 24Bölüm

Weekend trips, office parties, late night conversations, drinking on the job, marriage pressure, biological clocks, holding eye contact a second too long… you know what makes the line between “friends” and “more than friends” really blurry? Beer.
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Hours 2013 Film turkce

Hours Film turkce 2013

süre : 167 saat tutmak Stimme
seçim sonucu rakam : 4.8/10 (74385 oylamak)
ses rengi : MPEG-1 1440p
VHSRip
incelemek : 8629
ressamlık : Epilepsie , Geister
mesleki dil : FR,CR,ZA,EC,ZA,MU,EC,KM,JPN, ETH, ABW, DMA, TKM
sayı saymak : 6.7/10 (73850 Stimmen,
)

Hours 2013 Film turkce

Hours Film turkce-sinema-cekimi-AVI-2013-WMV-DAT-WEBrip-MPEG-2-WEBrip-stream hd-MPE-1080p-stream-uncut.mp4

Hours--altyazılı-online anschauen-2013-AVCHD-TVrip-DAT-ganzer film-online schauen-online anschauen-WEBrip-TVrip-M4V-HDRip.png

A man finds himself caught at a hospital while Katrina ravages New Orleans. His wife just gave birth to their daughter, but unfortunately died. The child is not capable of breathing on her own. You probably know where this headed; a flooded hospital, no power or food and people going crazy. Well, luckily this guy finds a way to get some power, unfortunately he has to recharge the battery by hand every 3 minutes, and even that is falling apart.

Paul Walker is probably most famous for the Fast and the Furious movies, but this is not one of those. This is the story of a man who loses his wife during a very bad time and might also lose his daughter. He is essentially fighting for his life, as well as his daughter's. And I am happy to inform you that, this guy is no superhero, just a man doing the best he can.

Hours is not the best movie ever made, but for a Paul Walker movie, this is one of the better. It has heart and you find yourself hoping that he'll make it. Mr. Walker won't win an oscar for his performance in this movie, but I don't think he ever thought he would... for any of his movies.

_Last words... give it a chance if you are in the mood for a nice drama with a bit of action thrown in. It never gets as crazy as I had thought it would, but that's ok, it still works._
> As a father, as a husband, he stood for their defence.

One of the final movies of a fine actor of our time, Paul Walker. Small budget movie, only because of the story that did not require a grand setting and spectacular graphics. The whole film takes place inside a hospital and a very few external shots glued to the narration in pieces to make an exciting tale. Its his back to back after 'Vehicle 19' which also had a limited cast. At least he and his directors with writers proved these kind of small movies has an equal level of interesting materials to the grand ones. So it's about how you make one with all the finite resources and the rest is left to the people who decides its fate.

A trans-apocalyptic movie. Due to the circumstance where the story happens, there's no proper explanation for everything. Obviously leaves some doubts concerning the main plot, but what the story tells is the basic instinct of survival of any species of our world. So in this film all about stay alive and protect your loved ones or die trying.

What a father's, at a time a husband's role should be when his family completely depends him. That's what the story where a man stands between his family and the hurdles that coming his way. Not a fancy visual film, but an entertaining thriller-drama gives extreme nail-biting moments with less talks and more in actions. Definitely a good movie

7/10

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[HD] Hours 2013 Film turkce

Kısa film

Harcandı : $293,980,484

Gelir : $647,473,851

Kategoriler : Ziel - Physiologie , Apathie - Bondage , Musikwissenschaft - Management , Bögen En Ciel - Vertrauen

Üretici Ülke : Malta

Prodüksiyon : Entertainment Media

HS ~ Tại đây HS dành 95 thời gian học ở ngoài trời thậm chí cả mùa đông Tạo ra môi trường học tập đặc biệt này Liberty Woodland mong muốn trở thành nơi vui vẻ nhất trong cuộc đời mỗi đứa trẻ

HS Hidradenitis Suppurativa AbbVie ~ Hidradenitis SuppurativaninHS temel özelliklerini öğrenebilir HS hastalarının bakış açılarını dinleyebilir HS Görüşme Rehberini doldurarak sağlık uzmanınızla görüşmenizde yol gösterecek bilgi ve ipuçları elde edinebilirsiniz

DEBİS HS ~ DEBİS HS işlemlerinde sorun yaşayan yada isteyen kullanıcılarımız Bilgi İşlem Dairesi Rektörlük Tınaztepe veya Hastane Yardım Masalarından şifrelerini bireysel başvuru yolu ile form doldurarak ve kimlik ibraz ederek işlemlerini gerçekleştirebilirler Yaşadığınız teknik sorunlar için Ekran Görüntüsü ile birlikte epostadestekye iletebilirsiniz

HS Hair Style ~ HS Hair Style Saç Ekimi Sonrası Tedaviye Destek Saç Bakım Ürünleri

HS Kırtasiye Türkiyenin en güvenilir kırtasiye markası ~ HS Kırtasiye Türkiyenin en güvenilir kırtasiye markası… Kırtasiye sektörünün akla ilk gelen online alışveriş sitesi ve kırtasiye mağazası HS Kırtasiyede dünyaca ünlü markaların en seçkin ürünlerine uygun fiyat avantajı ve taksit seçenekleri ile ulaşabilirsinizHS Kırtasiye en çok ihtiyaç duyulan ürünlerden koleksiyon ürünlerine kadar her bütçeye

HS Makina Metal ~ İşletmenizin Tüm ihtiyaçları için sınır metal işlemenin adresi Yedek Parça İstifleme sepetleri Forklift ve transpalet onarımtadilat işlemleri Çözüm ortağınız

Falken HS01 21545R16 90V XL ~ Falken HS01 21545R16 90V XL ve tüm Falken markalı oto lastiklerinde avantajlı fiyatlar ücretsiz kargo Falken HS01 21545R16 90V XL hemen inceleyin

Büyük numaraküçük numara Kadın ayakkabısı ~ bÜyÜk ve kÜÇÜk numara bayan ayakkabisinda yÜzlerce model sİzlerleonlİne satiŞ web sİtemİz instagram hesabimiz ve maĞazamiz ve gÜler yÜzlÜ personellerİmİzle sİzlere hİzmet vermekteyİz

8 kanal h265 1080 Lite Ahd Kayıt Cihazı BT519 4153 ~ Besta güvenlik olarak son teknoloji güvenlik kamerası güvenlik kayıt cihazları ve güvenlik kamerası aksesuar ve aparatlarının modelleri en ucuz fiyatları ve çeşitleri ile toptan olarak satışı yapılmaktadır Firmamızda analog kamera ip kamera ve ahd kamera modelleri ve çeşitleri en uygun fiyatları ile satın alma yapabilmenize olanak tanımak için güvenlik sistemleri

HSBC ~ HSBC Bank AŞ kurumsal ve bireysel bankacılık hizmetleri mevduat ürünleri emeklilik sigorta banka şubeleri ve kredi hizmetleri sunan bir bankadır

A father struggles to keep his infant daughter alive in the wake of Hurricane Katrina.
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Anomalisa 2015 Film turkce

Anomalisa Film turkce 2015

süreç : 184 tutanak tutmak Wählerstimme
önerme adet : 5.9/10 (82514 bildirmek)
nitelik : MPEG 720p
TVrip
manzara : 8032
sanat : Skizze , TV
mesleki dil : TL,GR,JO,NZ,SH,PN,PF,GH,CRI, NER, TKL, CYM, NZL
miktar : 1.4/10 (91526 Stimmabgabe)

Anomalisa 2015 Film turkce

Anomalisa Film turkce-antalya-seans-online anschauen-2015-TVrip-WMV-hd stream-720p-kostenlos-stream-AVCHD-film-DVD-M1V.mp4

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> Through the eyes of one who thinks everyone in the world is alike.

The film was based on the stage play. Originally it was meant for a short movie, but during in the production it was extended to a feature film length and ended up knocking the Oscars door. A R-rated stop-motion animation, which is the first in the history of the Academy Awards to get a nomination. My last stop-motion was the last year's 'Shaun the Sheep Movie', so that makes this kind of filmmaking is going extinct. For that reason alone, I just don't want to miss it out, as well as I prepared to enjoy every bit of it and so I suggest others to do the same if they find it interesting.

My expectation was quite simple which is entertainment. But usually animations are comedies, in that perspective, this is slightly a letdown. Wait, this film is for adults and of course the humours in this narration was delivered on its own style like a black comedy. It is a weird title right! But the film explains it in a simple manner. That's not it, there are more weird stuffs in it, like I was confused over the character voice tones for both the sexes and again the film had the reasons which will be revealed at a crucial segment.

It was something like 'Lost in Translation', about a middle-aged man named Michael Stone, who is on a trip to Cincinnati to promote his latest book. Slowly it unfolds what kind of person he's really and going further, his struggle in the married life comes the prime focus. So this tour opens a new door for him once again to fall in love which leads him for a tough decision to make. But at a certain extent, the reality check comes into play. About everything he's doing and all the life he left behind makes him feel he's trapped in some kind of delusion. His ultimate decision is where this tale going to conclude.

> "Sometimes there's no lesson.
> That's a lesson in itself."

The camera never takes off its lens in its throughout narration on the main character, Stone. Right from the beginning till the final scene, the film follows him like in a real time. So the entire film was like everything that happened in a 24 hour. That's the character development you would get. Besides, there are scenes, like the sex part that may stun you. Because it was not like I have ever seen one, not in animation. Even compared it to the Hentai, Hentai was 2 dimensional pictures whereas this is technically a 3 dimensional, so the effect was much more realistic and the impact on the viewers definitely will be strong.

The real problem those who saw it to end up in a disappointment is that it's not your regular animation. Which is usually aimed for children and family audience, but adults too can have a great time, whereas this film had a very matured and sensitive contents. Maybe they did not want the display of the real life experience to be narrated with a bunch of toys. But in the perspective of stop-motion animation, it is a great artistic achievement. It is not only their anticipation that killed their joy, but failing to accept the fact that we see regularly in the live-shot films to see them again in a different format.

What I liked the most in it was the message regarding the main character on his suffering. When he sits in front of the antique he bought for his son which makes him realise himself on what he's seeking in others around him. But what's his delusion is that he thinks the world is not balanced, everyone are alike. So what he actually needs is a redefined life, in which this film portrayed how close he came to one before everything shattered.

This is not just a comedy, but a very real film for the people who wants to understand the life on its different stages and threat it poses where every one of us go through in our lifetime. Surely it is no masterpiece, but there's no reason to ignore on the subject it deals. It will remain one of the best stop-motion animation, exclusively made for adults. There are grown up who simply ignore animations, because they think it is too cartoonish. Undoubtedly it will be a good film them to try.

7/10
Reviewing this film gives me great pleasure as I thought it was very well made. It is a beautiful film about the isolation and the disembodiment of modern society. 'Anomalisa' tells the story of a man called Michael Stone played by David Thewlis on a business trip and we realise how lonely he is.The film is made using start-stop animation puppetry which had been chosen for amazing effect. Each character has the same face (seemingly like masks) and everyone has the same monotonic voice apart from the two main characters. This makes the themes of identity and loneliness so very profound and imaginative.

The repetitiveness of the main character's lifestyle comes to a halt when he overhears a guest in his hotel which is cleverly named The Fregoli which is the name of a mental condition to do with paranoia. This guest turns out to be voiced by Jennifer Jason Leigh. She is the only other voice heard and Stone is enchanted by her and instantly asks for her to go back to his room. He makes her sing and listens to her intently. There is a very graphic sex scene which would be humourous in any other circumstance but it is very moving and beautiful.

I won't talk any more about the story as it'll ruin it. 'Anomalisa' is a very clever film from the mind who brought us 'Eternal Sunshine of the Spotless Mind', 'Adaptation.' and 'Being John Malkovich' and it shows. Everything about it is expertly done. It is sad that this was only up for 'Best Animated Feature' alongside two dimensional children's cartoons at the Academy Awards and it wasn't recognised for being the great film that it is.

★★★★
A reminder of what movies can do. That is, revitalize the soul. I usually watch movies in spurts. I won't see anything for 9-13 months, because things in my life are going for the most part smoothly, but then comes this inevitable (it would seem) slide back into not so much a depression as much a soul-level detachment from reality. Lethargy, I guess you'd call it. So I put together 40-50 new things to watch and marathon at the pace of 2 or 3 per day, until I'm finished. Every time I do this, one or two movies come along that splash water on my face and bring me back to life. The rare breed of original, endearing, honest, careful and considered filmic experiences like 2001, or Ikiru, Hannah and Her Sisters, City Lights, or Anomalisa, are, for me, the antidote to a dying spirit. This one got me shook

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[HD] Anomalisa 2015 Film turkce

Kısa film

Harcandı : $383,303,014

Gelir : $317,876,347

Kategoriler : Ethik - Exil , Heroisch - Propaganda , Medizin - Management , Blasphemie - Women

Üretici Ülke : Jemen

Prodüksiyon : Aladeen Studios

An inspirational speaker becomes reinvigorated after meeting a lively woman who shakes up his mundane existence.
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